Listing 1 - 10 of 10 |
Sort by
|
Choose an application
-2180-0
Perzië --- Geschiedenis --- Kunstgeschiedenis --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum
Choose an application
Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs.).
Sculpture --- sculpture [visual works] --- alabaster [mineral] --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Sculpture en albâtre --- Monuments funéraires. --- Histoire. --- Matériaux. --- M - Museum Leuven (Louvain, Belgique). --- Artistic techniques and materials --- Medieval sculpture --- Baroque & Rococo sculpture --- Renaissance sculpture --- 7 <09> --- 73 --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst. Sculptuur --- 73 Plastic arts --- Plastic arts --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis --- Religieuze kunst --- Beeldhouwkunst --- Middeleeuwen --- sculptuur. --- albasten beelden. --- 1300 - 1650. --- Europa. --- sculptuur --- albasten beelden --- 1300 - 1650 --- Europa
Choose an application
Painting --- Dictionaries --- French. --- sous la direction de Robert Maillard --- graveerkunst --- mozaïeken --- sous la direction de Robert Maillard ; préface de René Huyghe --- 75 --- 75 Schilderkunst --- Schilderkunst --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Dictionaries&delete& --- French --- kunstgeschiedenis --- schilderkunst --- art history --- painting [image-making] --- Peinture --- Dictionnaire --- Dictionnaires français --- glasramen --- graveertechnieken --- naslagwerk --- schildertechnieken --- tekenkunst --- tekentechnieken
Choose an application
Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. “The Best Sculptor” is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world’s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.
Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)
Choose an application
History --- art history --- Art --- Encyclopedias. --- Encyclopédies --- Dictionaries --- English --- 696 --- 7(03) --- Beeldende kunst ; naslagwerken ; encyclopedieën --- 7 --- 7 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Encyclopedias --- Kunstgeschiedenis --- Kunst ; encyclopedieën --- Art, Primitive --- Art - Encyclopedias. --- Histoire --- Dictionnaires
Choose an application
Art, English --- Art, Medieval --- Art, Romanesque --- Art anglais --- Art médiéval --- Art roman --- Exhibitions --- Exhibitions. --- Expositions --- 091 <064> --- 091 <41 LONDON> --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Art médiéval --- Romanesque art --- Christian art and symbolism --- Medieval art --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Romaanse kunst --- Kunstgeschiedenis --- Middeleeuwen --- Art, English - Exhibitions --- Art, Romanesque - England - Exhibitions
Choose an application
sculpting --- silver [metal] --- drawing [image-making] --- painting [image-making] --- decorative arts --- Art --- anno 1600-1699 --- anno 1500-1599 --- Painting --- Netherlands --- Mander, Carel van, --- prints [visual works] --- Art, Dutch --- Painting, Dutch --- 7.034 --- 75.034 --- Schilderkunst ; Nederland ; Gouden Eeuw --- Dutch painting --- Dutch art --- Ploeg (Group of artists) --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Schilderkunst ; Renaissance. Barok. Rococo --- 7 <492> "15/16" --- #A9406A --- 7 <492> "15/16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--?"15/16" --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--?"15/16" --- Exhibitions --- geschiedenis --- Van Mander, Carel --- 1580 - 1620 --- 16de eeuw --- 17de eeuw --- Noordelijke Nederlanden --- Art [Renaissance ] --- Art [Modern ] --- 17th-18th centuries --- Art [Dutch ] --- decorative arts [discipline] --- Nieuwe Ploeg (Group of artists) --- CDL --- Painting, Dutch - 17th century --- Art, Dutch - 16th century --- Art, Dutch - 17th century --- Painting, Dutch - 16th century --- geschiedenis. --- van Mander, Karel I. --- 1580 - 1620. --- 16de eeuw. --- 17de eeuw. --- Noordelijke Nederlanden. --- Hollandse school --- Nederlandse school --- van Mander, Karel I
Choose an application
architectural models --- Mexico --- History of civilization --- Ethnology. Cultural anthropology --- Architecture --- Amerika --- Amérique --- Beeldhouwkunst --- Bouwkunst --- Miniature objects --- Miniatuur voorwerpen --- Objets miniatures --- Sculpture --- Architectural models --- Indians of Mexico --- Modèles architecturaux --- Indiens d'Amérique --- Antiquities --- Antiquités --- Guerrero (Mexico : State) --- Guerrero (Mexique : Etat) --- Mexique --- Antiquities. --- 721.02 --- -Indians of Mexico --- Indians of North America --- Indigenous peoples --- Meso-America --- Meso-American Indians --- Mesoamerica --- Mesoamerican Indians --- Pre-Columbian Indians --- Precolumbian Indians --- Ethnology --- Buildings --- Models, Architectural --- Architectural casts --- Artists' preparatory studies --- Communication in architectural design --- Models and modelmaking --- Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- Models --- -Mexico --- -Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- 721.02 Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- -721.02 Arbeidsmethoden: architectuurtekeningen; bouwmodellen; maquettes --- Modèles architecturaux --- Indiens d'Amérique --- Antiquités --- Stone carving --- Guerrero (State) --- Sculpture [Primitive ] --- 7.031.8 --- 73:72 --- Pre-Columbiaanse architectuur; Mexico --- Kunstgeschiedenis ; Pre-Columbiaanse kunst ; Mexico, Centraal en Zuid-Amerika --- Beeldhouwkunst en architectuur --- Pre-Columbiaanse architectuur ; Mexico --- Bouwkundige schaalmodellen --- Architecturale modellen ; miniatuurformaat --- Architectural models - Mexico - Guerrero (State) --- Indians of Mexico - Mexico - Guerrero (State) - Antiquities --- Guerrero (Mexico : State) - Antiquities --- Mexico - Antiquities --- Art primitif
Choose an application
Weaving, Veiling, and Dressing brings together twelve essays about text and textile, about silk and wool, about the formation of identity through fibre. The essays bring to light hitherto unseen material, and for the first time, establish the function of textiles as a culturally rich way to approach the Middle Ages. Textiles were omnipresent in the medieval church, but have not survived well. To uncover their uses, presence, and meanings in the Middle Ages is to reconsider the period spun, draped, clothed, shrouded, and dressed. Textiles in particular were essential to the performance of devotion and of the liturgy. Brightly dyed cloth was a highly visible maker of meaning. While some aspects of culture have been studied, namely the important tapestry industry, as well as some of the repercussions and activities of cloth guilds, other areas of textile studies in the period are yet to be studied. This book brings an interdisciplinary approach to new material, drawing on art history, anthropology, medieval text history, theology, and gender and performance studies. It makes a compelling miscellany exploring the nature of Christianity in the largely uninvestigated field of text and textile interplay.
History of civilization --- Applied arts. Arts and crafts --- Semiotics --- anno 1200-1499 --- Textile fabrics --- Christian art and symbolism --- Textiles et tissus --- Art et symbolisme chrétiens --- Religious aspects. --- Aspect religieux --- Vêtement --- --Textile --- --Moyen âge, --- Religious aspects --- History --- 091.31 "04/14" --- 745.52 --- 745.522 --- 391 "04/14" --- 746.033 --- 7.033 --- 75.033 --- 7.036 --- Iconografie ; christelijke ; Middeleeuwen --- Iconografie ; symboliek ; christelijke --- Textiel ; Middeleeuwen ; christelijke symboliek --- Verluchte handschriften--Middeleeuwen --- Kunstvoorwerpen van textiel. Textielkunst --- Tapijtkunst. Tapisserie. Gobelins --- Kleding. Mode. Sieraden. Volksdracht--Middeleeuwen --- Textielkunst ; Middeleeuwen --- Kunstgeschiedenis ; Middeleeuwen --- Schilderkunst ; Middeleeuwen --- Iconografie ; epische, mythologische, religieuze voorstellingen --- History. --- Visual Arts --- Art, Architecture & Applied Arts --- Decorative Arts --- 391 "04/14" Kleding. Mode. Sieraden. Volksdracht--Middeleeuwen --- 745.522 Tapijtkunst. Tapisserie. Gobelins --- 745.52 Kunstvoorwerpen van textiel. Textielkunst --- 091.31 "04/14" Verluchte handschriften--Middeleeuwen --- Art et symbolisme chrétiens --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Textile --- Moyen âge, 476-1492 --- Textile fabrics - Religious aspects --- Textile fabrics - Europe - History --- Christian art and symbolism - Medieval, 500-1500
Choose an application
sculpting --- Architecture --- painting [image-making] --- architecture [discipline] --- Art --- Rubens, Peter Paul --- anno 1600-1699 --- anno 1500-1599 --- Flanders --- Art [Flemish ] --- Art flamand --- Kunst [Vlaamse ] --- Art, Flemish --- 7 <493> --- -Art, Flemish --- Kunst ; architectuur ; Zuidelijke Nederlanden ; 1585-1700 --- Vlaamse kunst ; architectuur ; 16de en 17de eeuw --- 7.035 --- 709.493 --- 709.031 --- 709.032 --- 7.034 --- 75.034 --- stillevens --- landschapsschilderkunst --- portretschilderkunst --- genreschilderkunst --- Janssen Abraham --- Jordaens Jacob --- van Dyck Antoon --- Rubens Peter Pauwel --- renaissance --- zestiende eeuw --- Flemish art --- Architecture, Western (Western countries) --- Building design --- Buildings --- Western architecture (Western countries) --- Building --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunstgeschiedenis ; Classicisme. Romantiek. Historicisme. Eclectisme --- Arts Europe Belgium --- Arts 16th century (1500 - 1600) --- Arts Baroque (1600 -1700) --- Design and construction --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Academic collection --- architectuur --- barok --- België --- kunst --- portret --- schilderkunst --- zeventiende eeuw --- 620 Kunst --- Construction --- Art, Modern --- Painting, Flemish --- 16th century --- Flanders (County) --- Art [Modern ] --- 17th-18th centuries --- Architecture, Primitive --- Art - 16th century --- Art, Modern - 17th century --- Architecture - Flanders --- Painting, Flemish - 17th century --- Vlaamse school
Listing 1 - 10 of 10 |
Sort by
|